I finally processed Kim Kold's portrait I shot during the production of "PERCEPTION". I really wanted to take my time with it considering all the challenges that plagued this photo. I even tested several screen capturing softwares for recording my workflow, I will be editing and uploading it shortly. It will probably be my next blog update :)
The "run and gun" style of set photography is true to photo-journalism is the sense that the old adage "right place , right time" really does apply to this line of work. My prime lense (it ended up breaking some time later)worked well with the residual light from the set a bit, I still had to push my camera sensor almost to the limit , but all things aside: the photo looks excellent.